Retry in one tap
When a take ends, Retry keeps it and records the next one right away. Keep moves on to the next segment. Toss sends it to Deleted takes, with Undo.
Retry is free.
A camera for talking to. Your script by the lens, another take in one tap, and every take transcribed and ranked, so the best one finds itself.
- Read as you record. The prompter sits right under the lens.
- Slip, then keep going. Start the line again; Prelda splits the takes for you.
- Start from a template. The segments, the shots, the length: you bring the words. Watch one
- Finish on your Mac. Prelda Studio turns your best takes into a cut with captions.
Coming soon to iPhone, iPad and Mac
Record
Take after take.
On your iPhone, the next take is one tap away, and nothing you record is lost.
Your script by the lens
The prompter sits right under the camera and follows your voice, so your eyes stay on the viewer.
Start when you talk
Tap record and say your first word. The take begins then, without a countdown, and keeps the breath before it.
Slip, then keep going
No need to stop. Say the line again, and Keep rolling makes one take per fresh start. A flub tap leaves out the line you said again.
Line up the shot
Plan a close-up or a wide shot per segment. A ghost on the preview and one hint at a time get you there: “A bit closer.”
The best take finds itself
Every take is transcribed on the device and scored: script match, fillers, pace, picture and sound. The best one comes first.
Find any word you said
Search titles, scripts and what you said in every take. A hit opens the take at that moment.
Devices
Hands-free from across the room.
The phone stays on the tripod. Your iPad, your Watch or a stand does the rest.
Your iPad is the prompter
Pair an iPad with the phone on the tripod: a big prompter that follows your voice, the live picture and every control. Say “cut” and the take stops.
Apple Watch remote
Record, stop, Keep or Toss from your wrist. A tap you feel for every change, and Double Tap for the button that matters.
Stands that follow you
DockKit stands, like DJI Osmo Mobile and Insta360 Flow, follow you while you talk and hold still for B-roll. Their shutter button records.
One library, every device
Stories, scripts and transcripts follow you through iCloud. The videos travel between your devices over your own network.
Prelda Studio
Finish on your Mac.
Your takes arrive transcribed and ranked. The cut is already there.
The cut builds itself
Prelda Studio takes the best take of each segment, trims flubs and long pauses, and lines them up. Slide from natural to tight, then export.
Captions, word by word
Made from the transcript, timed to the word. Burned in, or saved as SRT and VTT next to the video.
Looks and touch up
A look per take that adapts to the scene, so the story cuts together. Touch up smooths skin, gently, if you want it.
Into Final Cut Pro
The Prelda panel sits inside Final Cut Pro. Drag a cut or a take into your project, with its markers and in and out points.
Ask your assistant
Prelda Studio opens your library to the AI assistant on your Mac: find takes, read transcripts, and make the edits you allow.
No Mac? No problem
Play story shows the best takes in a row on your phone. Join into one video and it's in Photos, ready to post.
Private by design
Transcripts and scores are made on your devices. No account, no feed, no tracking. Your library stays in your iCloud.
Ready for AI editing
Hand the edit to your assistant.
Every take lands on your Mac as plain files that say what you said, when, and where you stood. Any AI tool can read them. Prelda Studio answers it directly.
Put the price behind me when I say “nineteen euros”.
get_transcript “nineteen euros” at 12.4 s, take 3 of The deal
get_take_layers top left is free · hand points left at 12.1 s
export_motion_kit take.mov, matte.mp4, words.json, README.md
Rendered: the price slides in behind you at 12.4 s.
Your assistant, in your library
Prelda Studio serves your library over MCP, the open protocol AI assistants like Claude speak. It reads scripts, word-timed transcripts and rankings, builds the cut and fixes captions, and changes only what you allow.
It runs on your Mac. Nothing leaves it except what your own assistant sends.
Every take, as files
Takes reach your Mac over your local network, checked file by file. Each story is a folder: the video, a transcript with every word’s time, markers and the take’s score. No export step, no lock-in.
You in front, the room behind
Prelda Studio cuts you out of the take: a matte for every frame, your face, your hands and where they point, and the parts of the frame you leave free. Graphics go between you and the background.
Graded, scene by scene
Every take gets a look that adapts to its light, so takes from morning and evening cut together. Hand on the graded picture, or the take as shot, Apple Log included, for your own grade.
Cut by what you said
Your assistant picks the best takes, trims where you said “cut”, builds the rough cut and fixes captions, through the same edits as the Studio. They reach your iPhone too.
Motion design, briefed
Export for motion design writes a kit: the take, its matte, every word’s time and a brief (“12.1 s: a hand raised, pointing left at the free area”). Hand it to an AI agent, HyperFrames, Remotion or After Effects.
Into any editor
FCPXML for Final Cut Pro with markers and in and out points, captions as SRT and VTT, and an archive for CapCut with a README of which take goes where.
Videos
See it recorded.
Every template, recorded from start to finish, and the hooks you can start a story with.
Templates
Hook ideas
“Stop filming in one take. Seriously. Here's why.”
“Nobody tells you this about growing tomatoes on a balcony.”
“This is what my balcony looked like in March. And this is now.”
“Unpopular opinion: you don't need a ring light.”
“The real reason your sourdough isn't rising.”
“Three things I'd tell anyone starting a podcast.”
“I did ten minutes of mobility every morning for thirty days.”
“I almost closed the shop last winter. Here's what changed my mind.”
The creators, products and places in these videos are AI-generated.